Linwood Vrooman Carter (June 9, 1930 – February 7, 1988) was an American author of science fiction and fantasy, as well as an editor, poet and critic.
Carter served in the United States Army (infantry, Korea, 1951–53), and then attended Columbia University and took part in Leonie Adams's Poetry Workshop (1953–54).
Carter was a member of the Trap Door Spiders, an all-male literary banqueting club[3] which served as the basis of Isaac Asimov's fictional group of mystery-solvers, the Black Widowers.
[4] Carter was also a member of the Swordsmen and Sorcerers' Guild of America (SAGA), a loose-knit group of Heroic fantasy authors founded in the 1960s, some of whose work he anthologized in the Flashing Swords!
In the last year before his death, he had begun to reappear in print with a new book in his Terra Magica series, a long-promised Prince Zarkon pulp hero pastiche, Horror Wears Blue, and a regular column for the magazine Crypt of Cthulhu.
A longtime science-fiction and fantasy fan, Carter first appeared in print with entertaining letters to Startling Stories and other pulp magazines in 1943 and again in the late 1940s.
[7] Another early collaborative story, "The Slitherer from the Slime" (Inside SF, September 1958), by Carter, as "H. P. Lowcraft", with Dave Foley, is a parody of H. P. Lovecraft.
[8] Early in his efforts to establish himself as a writer, Carter gained a mentor in L. Sprague de Camp, who critiqued his novel The Wizard of Lemuria in manuscript.
[9] Due in large part to their later collaborations, mutual promotion of each other in print, joint membership in both the Trap Door Spiders and SAGA, and complementary scholarly efforts to document the history of fantasy, de Camp is the person with whom Carter is most closely associated as a writer.
[a] He also wrote a nearly monthly column, "Our Man in Fandom", in If, edited by Frederik Pohl,[7] and was a major writer on ABC's original Spider-Man animated TV show during its fantasy-oriented second season in 1968–69.
Although he wrote only six Thongor novels, the character appeared in Marvel Comics's Creatures on the Loose for an eight-issue run in 1973–74 and was often optioned for films, although none has been produced.
Some of these, together with Carter's models, include his "Simrana" stories (influenced by Lord Dunsany), his horror stories (set in the "Cthulhu Mythos" of H. P. Lovecraft), his "Green Star" novels (uniting influences from Clark Ashton Smith and Edgar Rice Burroughs), his "Mysteries of Mars" series (patterned on the works of Leigh Brackett),[10] and his "Prince Zarkon" books (based on the "Doc Savage" series of Kenneth Robeson).
Some of Carter's most prominent works were what he referred to as "posthumous collaborations" with deceased authors, notably Robert E. Howard and Clark Ashton Smith.
Few had escaped the holocaust of inconceivable cold that blew ravening down the boreal Pole...Carter wrote numerous stories in the Cthulhu Mythos of H. P. Lovecraft.
Carter wrote two cycles of stories set in "dreamlands", paying tribute to the fantasy of Lord Dunsany, Ikranos, from his fan days, and Simrana, after he became a professional writer.
The first of these, presumably a non-fiction study along the lines of his Tolkien: A Look Behind "The Lord of the Rings" (1969), never saw print; the second seems to be related to The Terror Out of Time, a collection of Cthulhu Mythos tales he had pitched unsuccessfully to Arkham House (the existing material for which was eventually gathered into his The Xothic Legend Cycle (1997)); the third was apparently a working title for Ylana of Callisto (1977), published the year after the anthologies.
His "Gondwane" epic, which he began with the final book and afterwards added several more covering the beginning of the saga, lacks its middle volumes, his publisher having canceled the series before he managed to fill the gap between.
Similarly, his projected Atlantis trilogy was canceled after the first book (The Black Star), and his five-volume "Chronicles of Kylix" ended with three volumes published and parts of another (Amalric).
It was intended to take the genre in a new direction by resurrecting the fantastic medieval chronicle history of the sort exemplified by Geoffrey of Monmouth's Historia Regum Britanniae and Saxo Grammaticus's Gesta Danorum.
Carter claimed to have begun the work about 1959, and published three excerpts from it as separate short stories during his lifetime – "Azlon" in The Young Magicians (1969), "The Mantichore" in Beyond the Gates of Dream (also 1969) and "The Sword of Power" in New Worlds for Old (1971).
Peter Beagle faulted Carter's scholarship, saying "He gets so many facts embarrassingly wrong, so many attributions misquoted, that the entire commentary is essentially worthless.
[1] Authors whose works he revived included Dunsany, Morris, Smith, James Branch Cabell, Hope Mirrlees, and Evangeline Walton.