Gregory La Cava

Towards the end of 1915, William Randolph Hearst decided to create an animation studio to promote the comic strips printed in his newspapers.

He called the new company International Film Service, and he hired La Cava to run it (for double what he was making with Barré).

As he developed more and more of Hearst's comics into cartoon series, he came to put semi-independent units in charge of each, leading to the growth of individual styles.

La Cava also had the significant advantage over other studios of an unlimited budget: Hearst's business sense completely broke down when it came to his Hearst-Vitagraph News Pictorial and the "living comic strips" they contained.

La Cava's main fault as a producer and director was that his cartoons were too clearly animated comic strips, hampered by speech balloons when rival Bray Studio was creating more effective series with original characters.

But he didn't have time to achieve very much, because in July 1918, Hearst's bankers caught up with him and International Film Service was shut down.

Policy and Pie part 1 of 2 (1918)
Policy and Pie part 2 of 2 (1918)
Helen Hayes in La Cava's film What Every Woman Knows (1934)