Gregory Maass & Nayoungim

Gregory Maass & Nayoungim's avocations accrue philosophy, psychology,[1] cybernetic management,[2] economy, fringe science, science fiction, the British art and craft movement, music, comics, conspiracy narrative, outsider art[1], sub-culture,[3] and food;[4] while focusing in their artwork on representational means like adaptation,[5] normality,[6] perversion,[7] and methodology.

Gregory Maass was born in Hagen in North Rhine-Westphalia, northern Germany, his mother tongue being German.

Unusually creative individuals face fear, punishment, and social exclusion due to their ability to instigate change which is not always welcomed.

There is a shared origin between mental disorder and very high creativity [6]; they are both perceived and felt in a similar manner by those who experience them first hand.

The first stage of creation is where a large number of observations, information, thoughts, ideas, and even emotions appear from this chaos as order is created.

The relationship between tremendous creative achievement and some aspects of mental illnesses is that people with these disorders perceive things in a different way.

Gregory Maass & Nayoungim collect objects and ideas eclectically, disassemble them and then reassemble them in a way that gives birth to unforeseen, and outré results.

They formulated two more methods of production: Psychobuilding[11], and Orificing[12], engendering collative properties, such as complexity, surprisingness, incongruity, ambiguity, and variability.

Relationships Do Not Exist is among the more iconic, philosophically astute and visually humorous works that Gregory Maass & Nayoungim have created.

Gregory Maass´ first solo-show entitled "Tears of Boredom" (the original German title is "Tränen vor Langeweile"),[31] was held in 1991 in Hagen, Germany.

duo-show was about different kinds of possible success in art, be it fame and glory, money and power, or the desired result of an attempt.

[35] was a show realized with the help of mentally ill patients in the 3bisF Contemporary Art Space in Aix-en-Provence, France, which is located inside the walls of a psychiatric ward.

Psychotic Mickey Mouse, Seoul Culture Station, 2012
From left: "Size Matters," "Roman Gentleman's Goblet," "By Any Means Messassary (Dionysus)," "Amitabha Buddha," "Good Riddance (FOKOF)" and "Bikini Bottom".
Mister, Relationships do not exist, 2010
Arsewipe Rocket, still life photography, Paris, 2008