His involvement with the Modern Architecture Research Group (MARS) led to friendships with other modernist architects and opportunities for work including the 1951 Festival of Britain.

Although there was family pressure for him to join the Navy, friends suggested architecture as he had shown an aptitude for maths and drawing.

[3] In 1934 as a fourth-year student Cadbury-Brown met Ursula and Ernő Goldfinger and was delighted by their furniture and collection of paintings.

[3] Also through this association with the group, he received work from Frederick Gibberd to design eighty houses in Mark Hall South as part of the Harlow New Town project.

[8] In 1947 the sixth meeting of CIAM was hosted by MARS in Bridgwater, Somerset and Cadbury-Brown as secretary[9] had a role in its organisation.

[5] Whilst working on designs for the Festival of Britain, Cadbury-Brown met his wife Elizabeth Romeyn Elwyn,[11] who was born in the United States on 28 March 1922.

[7] The pavilions were laid out either side of a central axis formed by the railway line across the river to Waterloo Station and divided into "Upstream" and "Downstream" zones.

[15] The entrance to each of Cadbury-Brown's two pavilions began with conical structures built with coloured sheets of aluminium suspended from cables.

The visitors' route looped past a pool of water containing a sculpture of Orpheus by Heinz Henghes before ending at a two-storey building containing information about the Romans, Saxons and Iron Age.

On a sloping site separate three and two-storey blocks for the juniors and infants respectively are linked by their assembly halls, kitchen and dining rooms.

[20] With the relocation of the school to new premises in Crouch Hill Community Park, Islington Council prepared a Planning Brief in 2012 for the site's redevelopment.

The idea was that holes drilled in the timber would play notes from Britten's opera Peter Grimes whenever a storm of sufficient power struck.

In the mid-1950s Government money became available for both an extension to the workshop for applied arts and for a new building on a site facing Kensington Gardens, adjacent to the Royal Albert Hall.

In the team Casson had responsibility for client liaison, Goodden developed the brief and Cadbury-Brown did the design work and contract administration.

[14] Whilst Cadbury-Brown was away teaching at Harvard with J. L. Sert, Wells Coates and Serge Chermayeff, Goodden developed the brief in detail.

The brief identified rooms which required space with both normal and higher ceiling heights and Cadbury-Brown developed an L-shaped step in section to allow this to be easily accommodated.

[29] In the final design the stair cores were moved near to the ends of the building to give views out on both the north and south façades.

The number of recessed storeys was reduced to just one on the ground floor which gave the impression that the whole building was supported on the expressed columns.

[7] For Ashmount school he asked one of his students at the Royal College of Art, John Willats to design a sculptural figure of a fighting cock and at housing in Hammersmith he enabled Stephen Sykes to apply decorative tile patterns to the communal stairs.

[19] National Life Stories conducted an oral history interview (C467/16) with Henry Thomas Cadbury-Brown in 1997 for its Architects Lives' collection held by the British Library.