[2] The affair of the displaced people of Akrit and Bir'im was discussed extensively in the government, the Supreme Court and the Knesset, but has not yet been implemented to fulfill the promise given to the residents that they will be able to return to their villages.
[2] "Disrupted" (2003) series, in which he created a biographical mosaic of geographically disintegrated spaces that lies between the Kfar Bi’ram and the city of Tel Aviv-Yafo, where the Farah lives now.
[4] In the early photo work of a flower, there is a typical point of view: it is low, as foot-level of observer, trying to trace the place from which material and information were taken or to reveal hidden content or deviate from the agreed logic.
In later photographs, the perspective expanded - it embraces an outside or an inside of space, looking horizontally or diagonally, in a way that draws inspiration from the catalog or police photography genre.
Despite his meticulous aesthetics, Farah's works transverse categories and undermine the boundaries between media, bodywork and performance, conceptual documentation and photography.
After the evacuation of the place and during its cleaning, one of the walls revealed the inscription "Palestine" apparently written by a Palestinian worker who was present at the site.
The study raises questions such as the issue of the labor force in Israel in general and especially in the field of construction, and the fact that it is impossible to disconnect the political from the public sphere.