Hannah (oratorio)

I believe our oratorios at present in vogue, tho' not very remarkable for poetical composition, have their good effect on the more rational and sober part of the audience.

In short, no subject more naturally affords the true sublime, than that of which the oratorio consists; and consequently, an exalted genius can no where find a more suitable or ample field, for the exercise and exertion of his most magnificent conceptions.

As several are desirous of knowing when the Songs in this Oratorio will be published, the Author takes this Opportunity of Acquainting the Public, that they are now Printing, and will be ready for Sale in a few Weeks of which Notice will be given in this Paper.

[7] The text of the libretto is written in copperplate by a professional copyist and a note on the final page says, "This Oratorio is intended to be perform'd at the Kings Theatre in the Haymarket with the Permission of the Lord Chamberlain.

"[9]However, rearranging the timing of biblical events was not the only liberty taken with the story; the libretto emphasizes Peninnah's fertility and jealousy along with Elkanah's benevolent treatment of Hannah.

[10] The Handmaid to Peninnah emphasizes these themes when she sings:[10] A review in the St. James's Magazine claimed for the libretto "some poetical merit"[13] but William Kenrick, a rival of Smart's, could not hold the poem as high.

[14] A biographer of Worgan claimed that the play lasted only one night because of Handel's popularity in London at the time, and "It is owing to this iniquitous idolatry that the oratorio of Hannah struggled into light, and soon disappeared.

[15] However, the biographer didn't just blame Handel, but followed Kenrick's assessment when he said, "Hannah teems with resplendent beauties, but is enfeebled by the doggrel of poor Kit Smart.