The Art of Cookery has been admired by English cooks in the second part of the 20th century, and influenced many of them, including Elizabeth David, Fanny Cradock and Clarissa Dickson Wright.
The couple struggled constantly with finances, and in 1744 Glasse tried to sell Daffy's Elixir, a patent medicine; the project did not take off.
[6] The Art of Cookery Made Plain and Easy was printed the following year and sold at "Mrs. Ashburn's, a China Shop, the corner of Fleet-Ditch", according to the title page.
As such, she apologises to readers, "If I have not wrote in the high, polite Stile, I hope I shall be forgiven; for my Intention is to instruct the lower Sort, and therefore must treat them in their own Way".
The early editions of the book did not reveal its authorship, using the vague cover "By a Lady"; it was not until the fourth imprint, published in 1751, that Glasse's name appeared on the title page.
"[19] Johnson was doubtful of the connection because of confusion in the book between saltpetre and sal prunella, a mistake Hill would not have made.
That year, Glasse set herself up as a "habit maker" or dressmaker in Tavistock Street, Covent Garden, in partnership with her eldest daughter, Margaret.
[15][18] When her half-brother Lancelot came to stay with her, he wrote: Hannah has so many coaches at her door that, to judge from appearances, she must succeed in her business ... she has great visitors with her, no less than the Prince and Princess of Wales, to see her masquerade dresses.
[2][21][c] Among the assets sold off to pay her debts was the copyright of The Art of Cookery Made Plain and Easy, which went to Andrew Miller and a conger of booksellers, and 3,000 copies of the fifth edition; the syndicate held the rights for the next fifty years.
By December she had been released and registered three shares in The Servants' Directory, a work she was writing on how to manage a household;[2][30][f] it included several blank pages at the end for recording kitchen accounts.
[37] Glasse's work contained the essentials of sweet-, cake- and ices-making, including how to boil sugar to the required stages, making custards and syllabubs, preserving and distilled drinks.
[2][21] In 1770 The Newcastle Courant announced "Last week died in London, Mrs Glasse, only sister to Sir Lancelot Allgood, of Nunwick, in Northumberland",[40] referring to her death on 1 September.
[43] In The Art of Cookery she shows signs of a modern approach to cooking with more focus on savoury dishes—which had a French influence—rather than the more prestigious but dated sweet dishes that had been favoured in the 17th century.
[48] The first recipe, "The French way of dressing partridges" ends with her comment "This dish I do not recommend; for I think it an odd jumble of trash ... but such receipts as this, is what you have in most books of cookery yet printed.
"[48] Henry Notaker, in his history of cookery books, observes that Glasse has included what she sees to be a poor recipe, only because her readers would miss it otherwise.
[49] Throughout the book she introduced recipes that were French in origin, although these were often anglicised to remove the heavily flavoured sauces from meat dishes.
[65][66] Later printings added hamburgers ("hamburgh sausages"), piccalilli ("Paco-Lilla" or "India Pickle")[67] and an early recipe for ice cream.
[6][l] Although the early versions did not contain an index at the end of the book, they have what Wendy Hall describes in her study "Literacy and the Domestic Arts" as a "jaw-droppingly extensive table of contents that categorized the subject matter over the course of twenty-two pages".
[70] She was also ahead of her time in other respects: she gave a recipe for "pocket soop" years before the introduction of branded stock cube;[71] over a century before Louis Pasteur examined microbiology and sterilisation, Glasse advised cooks, when finishing pickles and jams, to "tye them close with a bladder and a leather" to aid preservation.
[8][13] She went to great lengths in her books to stress the need for cleanliness in the house, particularly in the kitchen, where dirty equipment will either mar the flavour or cause illness.
The food historian Jennifer Stead writes that many visitors to England reported that the servants were clean and well turned out.
[72] In The Art of Cookery, Glasse departs from many of her predecessors and does not provide a section of medical advice—a pattern followed in 1769 by Elizabeth Raffald in The Experienced English Housekeeper—although chapter ten of The Art of Cookery is titled "Directions for the sick", and contains recipes for broth, dishes from boiled and minced meats, caudles, gruel and various drinks, including "artificial asses milk".
[75] In her preface, she writes: I shall not take upon me to meddle in the physical Way farther than two Receipts which will be of Use to the Publick in general: One is for the Bite of a mad Dog; and the other, if a Man shoud be near where the Plague is, he shall be in no Danger; which, if made Use of, would be found of very great Service to those who go Abroad.
Nor shall I take it upon me to direct a Lady in the Oeconomy of her Family, for every Mistress does, or at least ought to know what is most proper to be done there; therefore I shall not fill my Book with a deal of Nonsense of that Kind, which I am very well assur'd none will have Regard to.
[76] Glasse aimed The Art of Cookery at a city-dwelling readership and, unlike many predecessors, there was no reference to "country gentlewomen" or the tradition of the hospitality of the gentry.
The historian Una Robertson observes that "the torrent of instructions addressed to 'my little House-maid' must have severely confused that individual, had she been able to read".
The Oxford English Dictionary observes that the use is "(i.e. as the first step to cooking him): a direction jestingly ascribed to Mrs. Glasse's Cookery Book, but of much more recent origin".
Craddock found the writing easy to follow and thought Glasse an honest cook, who seemed to have tried most of the recipes in the book.