[4] Reviewing the album for AllMusic, Paul Simpson felt that "The result is a dizzying swirl of disembodied soul samples and hazy beats that frequently dissolve and return, as the emcees deliver complex, metaphor-heavy rhymes addressing subjects such as colonialism and white supremacist oppression.

"[5] In the Review for Clash, Nathan Evans claimed that, "The best tracks on 'Haram' come together with crooked production that twitches with sharp samples and cuts, and AH’s billy woods and Elucid filling the space with pointed flows.

The boys are stiff-nosed and mean-mugged, tightly rapping about dead bodies and vulgar sex to such a degree, it could classify as vore fantasy.

To match, Alchemist crosses his signature style with crimson atmospheres that are as wet and eerie as a blood-soaked slaughterhouse.

"[6] Concluding a review for Pitchfork, Matthew Ismael Ruiz from wrote that "Haram offers another perspective of New York City's hard heart, rooted in ruminations on power and how it’s wielded.