In an October 2012 interview with Rolling Stone magazine, frontman Isaac Slade said that the band would be starting work on their fourth album in 2013, aiming to release it around Christmas 2013.

Kevin Catchpole from PopMatters gave the album six out of ten discs, commenting that "the disappointing thing is how slight moments of innovation appear for fleeting seconds only, then disappear into the ether.

"[11] Andy Argyrakis of CCM Magazine rated the album three stars out of five, remarking how the release contains "plenty of uplifting and contemplative lyrics", yet their "signature piano pop surfaces on occasion, there seems to be a gravitation toward gang-styled choruses and massive electronic beats, which sometimes succeed, but periodically appear too derivative of today's top 40.

"[10] James Christopher Monger from Allmusic gave the album two-and-a-half out of five stars, indicating how that "Helios begins innocuously enough with 'Hold My Hand,' a straight-up, anthem generator-spawned arm-waver that pairs a safe, circular, entirely familiar chord progression with a melody that returns the favor (a description that applies to most if not all of the ten songs that follow), before unleashing the album's first single, 'Love Don't Die,' a digitized boot-stomper that leans hard on the Kings of Leon/Black Keys side of the Fray spectrum.

Flirtations with disco ('Give It Away') and pure Killers-cloned electro-pop ('Hurricane') follow, but the Fray never sound as comfortable as they do when they're dishing out relatively generic yet undeniably impassioned slabs of Springsteen, Train, Goo Goo Dolls, and Coldplay-inspired, open-highway treacle like 'Our Last Days' and 'Wherever This Goes'.