is an American Saturday morning animated television series, created by Joe Ruby and Ken Spears and produced by Hanna-Barbera, which aired for one season on CBS from September 11, 1971, to January 8, 1972.

The series' producer was Charles A. Nichols, with William Hanna and Joseph Barbera directing, and Hoyt Curtin serving as the composer.

Many television critics compared the premise of the show to other Hanna-Barbera productions, such as Wally Gator, Top Cat and Yogi Bear.

[3] The bears had several motives for pranking and fooling Mr. Peevly and Mr. Botch, including trying to "improve their living conditions" and wanting to "embark on get-rich-quick schemes".

[5] Sometimes, the bears (usually Hair) would activate a hidden switch to reveal a cave with more luxurious surroundings (complete with modern furniture) instead of the more meager accommodations they were normally seen living in.

[9] The show's official theme song was written by Hoyt Curtin, who also served as the series' music composer.

[10] Other than the main cast, frequent Hanna-Barbera voice actors Janet Waldo, Joan Gerber, Lennie Weinrib, Vic Perrin and Hal Smith played several minor characters for the show.

It's the Hair Bear Bunch!, including Joel Kane, Heywood Kling, Howard Morgenstern, Joe Ruby, and Ken Spears.

[34] The United States' Cartoon Network began broadcasting it in 1994 and its sister channel Boomerang did so on several occasions in the early-to-late 2000s.

David Mansour, author of From Abba to Zoom: A Pop Culture Encyclopedia of the Late 20th Century, compared the show's premise to the storyline of Hanna-Barbera's Top Cat and wrote, "but instead of a gang of hip cats residing in an alley, it starred a bunch of cool bears living at the zoo.

"[1] Christopher P. Lehman, who wrote American Animated Cartoons of the Vietnam Era, also compared it to a previous television series, but instead to the live-action The Phil Silvers Show.

[5] Author David Perlmutter considered the show to be a reworked version of Yogi Bear, which he deemed appropriate because "the youth of the late 1960s and early 1970s" had a "'hippie' mindset."

"[2] Besides Wait Till Your Father Gets Home (1972–1974) and Hong Kong Phooey (1974), Nichola Dobson wrote in The A to Z of Animation and Cartoons that Help!