[4] They continued in various parts in Australia before being engaged by Irish musical impresario William Saurin Lyster to lead a season of French operetta, with Bracy also stage managing.
For Lyster, they performed in operettas for five years[4] including in Lecocq's La fille de Madame Angot and Giroflé Girofla.
[6] In 1880, the couple returned to Britain, where Bracy undertook the role of Hector in the hit London production of Madame Favart, replacing Walter H. Fisher.
[8] Bracy then continued to build his reputation in comic opera parts in London, in productions including The Grand Mogul, by Edmond Audran and H. B. Farnie, at the Comedy Theatre, with Florence St. John, Frank Wyatt and Fred Leslie.
Performers included Rutland Barrington, Richard Temple, Arthur Roberts and Geraldine Ulmar as principals, and W. S. Penley, George Grossmith, Kate Bishop and Marion Terry in the chorus.
[15] His last major role in Britain was the first London production of Gustave Michiels's Babette, with Florence St John at the Strand in 1888.
[16] His farewell to the West End stage was a special matinée at the Savoy Theatre, put at his disposal by Richard D'Oyly Carte, to mark his departure for Australia.
Artists appearing included Williams, John Le Hay, Courtice Pounds, Durward Lely, Marie Tempest, Ben Davies, Coffin, Roberts and, in Cox and Box, Grossmith, Arthur Cecil and Temple.
[18] He was also praised for his performance in Moustique: "Mr Henry Bracy sang, as he always does with ease and sweetness, and greatly strengthened the cast.
[3] For example, in that company's production of The Beggar Student, a reviewer noted, "Mr. Henry Bracy has returned to all his old popularity and in his impersonation of the leading character, shows great animation and naturalness, and his singing is warmly applauded.
[5] In 1896, Williamson and George Musgrove disbanded the company briefly, and Bracy again tried his hand at theatre management, touring with his own troupe for nine months in 1897.
[3] Bracy was re-engaged by Williamson and managed concert tours by Emma Albani in 1898 and Ada Crossley in 1903,[22] and he directed the Bel Sorel season of grand opera.