He was well known and widely acknowledged in the arts fraternity for his prominent work pertaining to the stained glass windows which had been created to display them in churches across the British Isles.
[2] His training programme at Royal Academy also consisted of other significant attributes such as life drawing, fine art, architecture as well as his highly applauded glasswork coinciding with the fact that the Pre-Raphaelite art had become the norm and benchmark style which was widely accepted in the general context.
[3] He also met John Everett Millais who was one of the co-founders of the Pre-Raphaelite Brotherhood and they formed a unique bond befriending each other during countless occasions.
Many vocal critics pointed out that his detailed comprehensive portrayal of glasswork and his immense work ethic was well evident of the fact that his style of doing things was the effect of the cult classic Pre-Raphaelic movement, although he started his career nearly two decades post the beginning of the moment.
His most notable work incorporating decorated stained glass windows can still be seen in Anglican churches, chapels and private houses in across Jersey and other parts of Europe.