Heracles

He was the greatest of the Greek heroes, the ancestor of royal clans who claimed to be Heracleidae (Ἡρακλεῖδαι), and a champion of the Olympian order against chthonic monsters.

Many popular stories were told of his life, the most famous being the twelve Labours of Hercules; Alexandrian poets of the Hellenistic age drew his mythology into a high poetic and tragic atmosphere.

[6] The core of the story of Heracles has been identified by Walter Burkert as originating in Neolithic hunter culture and traditions of shamanistic crossings into the netherworld.

[7] It is possible that the myths surrounding Heracles were based on the life of a real person or several people whose accomplishments became exaggerated with time.

[8] Heracles's role as a culture hero, whose death could be a subject of mythic telling (see below), was accepted into the Olympian Pantheon during Classical times.

This created an awkwardness in the encounter with Odysseus in the episode of Odyssey XI, called the Nekuia, where Odysseus encounters Heracles in Hades: And next I caught a glimpse of powerful Heracles— His ghost I mean: the man himself delights in the grand feasts of the deathless gods on high ... Around him cries of the dead rang out like cries of birds scattering left and right in horror as on he came like night ...[9] Ancient critics were aware of the problem of the aside that interrupts the vivid and complete description, in which Heracles recognizes Odysseus and hails him, and some modern critics deny that the verse's beginning, in Fagles's translation His ghost I mean ..., was part of the original composition: "once people knew of Heracles' admission to Olympus, they would not tolerate his presence in the underworld", remarks Friedrich Solmsen,[10] noting that the interpolated verses represent a compromise between conflicting representations of Heracles.

The ancient Greeks celebrated the festival of the Heracleia, which commemorated the death of Heracles, on the second day of the month of Metageitnion (which would fall in late July or early August).

A reassessment of Ptolemy's descriptions of the island of Malta attempted to link the site at Ras ir-Raħeb with a temple to Heracles,[11] but the arguments are not conclusive.

[15] Some sources explained that the cult of Heracles persisted because of the hero's ascent to heaven and his suffering, which became the basis for festivals, ritual, rites, and the organization of mysteries.

There was the case of the royal house of Macedonia, which claimed lineal descent from the hero,[19] primarily for purposes of divine protection and legitimator of actions.

The earliest evidence that shows the worship of Heracles in popular cult was in 6th century BCE (121–122 and 160–165) via an ancient inscription from Phaleron.

Heracles used his wits on several occasions when his strength did not suffice, such as when laboring for the king Augeas of Elis, wrestling the giant Antaeus, or tricking Atlas into taking the sky back onto his shoulders.

[27] Heracles was an extremely passionate and emotional individual, capable of doing both great deeds for his friends (such as wrestling with Thanatos on behalf of Prince Admetus, who had regaled Heracles with his hospitality, or restoring his friend Tyndareus to the throne of Sparta after he was overthrown) and being a terrible enemy who would wreak horrible vengeance on those who crossed him, as Augeas, Neleus, and Laomedon all found out to their cost.

[29] This aspect is also highlighted in Hercules Furens where Seneca linked the hero's madness to an illusion and a consequence of Heracles's refusal to live a simple life, as offered by Amphitryon.

It was indicated that he preferred the extravagant violence of the heroic life and that its ghosts eventually manifested in his madness and that the hallucinatory visions defined Heracles's character.

Once the oath was sworn, Hera hurried to Alcmene's dwelling and slowed the birth of Heracles and Iphicles by forcing Ilithyia, goddess of childbirth, to sit cross-legged with her clothing tied in knots, thereby causing the twins to be trapped in the womb.

Upon hearing this, she jumped in surprise, loosing the knots and inadvertently allowing Alcmene to give birth to Heracles and Iphicles.

In Apollonius of Rhodes's Argonautica, it is recalled that Heracles had mercilessly slain their king, Theiodamas, over one of the latter's bulls, and made war upon the Dryopes "because they gave no heed to justice in their lives".

On his way back to Mycenae from Iberia, having obtained the Cattle of Geryon as his tenth labour, Heracles came to Liguria in North-Western Italy where he engaged in battle with two giants, Albion and Bergion or Dercynus, sons of Poseidon.

Travelling to Tiryns, a centaur, Nessus, offers to help Deianira across a fast flowing river while Heracles swims it.

Thinking of revenge, Nessus gives Deianira his blood-soaked tunic before he dies, telling her it will "excite the love of her husband".

Heracles then uproots several trees and builds a funeral pyre on Mount Oeta, which Poeas, father of Philoctetes, lights.

For this action, Philoctetes or Poeas received Heracles's bow and arrows, which were later needed by the Greeks to defeat Troy in the Trojan War.

An episode of his female affairs that stands out was his stay at the palace of Thespius, king of Thespiae, who wished him to kill the Lion of Cithaeron.

[67][68] A scholiast commenting on Apollonius's Argonautica lists the following male lovers of Heracles: "Hylas, Philoctetes, Diomus, Perithoas, and Phrix, after whom a city in Libya was named".

Apollodorus lists three, Therimachus, Creontiades and Deicoon;[71] to these Hyginus[72] adds Ophitus and, probably by mistake, Archelaus, who is otherwise known to have belonged to the Heracleidae, but to have lived several generations later.

A scholiast on Pindar' s odes provides a list of seven completely different names: Anicetus, Chersibius, Mecistophonus, Menebrontes, Patrocles, Polydorus, Toxocleitus.

[73] Other well-known children of Heracles include Telephus, king of Mysia (by Auge), and Tlepolemus, one of the Greek commanders in the Trojan War (by Astyoche).

Sallust mentions in his work on the Jugurthine War that the Africans believe Heracles to have died in Spain where, his multicultural army being left without a leader, the Medes, Persians, and Armenians who were once under his command split off and populated the Mediterranean coast of Africa.

The gateway to the Mediterranean Sea from the Atlantic Ocean, where the southernmost tip of Spain and the northernmost of Morocco face each other is, classically speaking, referred to as the Pillars of Hercules/Heracles, owing to the story that he set up two massive spires of stone to stabilise the area and ensure the safety of ships sailing between the two landmasses.

Heracles carrying his son Hyllus looks at the centaur Nessus , who is about to carry Deianira across the river on his back. Antique fresco from Pompeii .
Greek mythology influenced the Etruscans . This vase at Caere shows King Eurytus of Oechalia and Heracles in a symposium. Krater of corinthian columns called 'Krater of Eurytion', c. 600 BCE
Heracles strangling snakes (detail from an Attic red-figured stamnos, c. 480–470 BCE)
Heracles as a boy strangling a snake (marble, Roman artwork, 2nd century CE). Capitoline Museums in Rome , Italy
Side of terracotta kantharos in the form of the head of Heracles, Athens , c. 470 BCE
The choice of Hercules by Annibale Carracci
All 12 labours of Heracles, Mosaic of Llíria (Valencia, Spain)
Heracles slaying the Lernaean Hydra
Heracles and Ceryneian Hind by Lysippos
Hercules stealing the golden apples from the Garden of the Hesperides
Heracles and Omphale , Roman fresco, Pompeian Fourth Style (45–79 CE), Naples National Archaeological Museum , Italy
A fresco from Herculaneum depicting Heracles and Achelous from Greco - Roman mythology , 1st century CE
Heracles fighting the servants of the Egyptian King Busiris , Attic Pelike , c. 470 BCE
Heracles killing the giant, Antaeus
Death of Hercules (painting by Francisco de Zurbarán , 1634, Museo del Prado)
An insane Heracles is depicted killing his son while Megara stands horrified on the right side of the scene ( National Archaeological Museum, Madrid , c. 350–320 B.C.E.)
Heracles and Iolaus (Fountain mosaic from the Anzio Nymphaeum)
Heracles and his son Telephus . (Marble, Roman copy of the 1st or 2nd century CE)
A Roman gilded silver bowl depicting the boy Hercules strangling two serpents, from the Hildesheim Treasure , 1st century CE, Altes Museum