Jorge (Christian Ravello), a security guard in the hospital's carpark who has a fraught relationship with his son, writes poetry in Spanish while working.

The film includes dialogue in ten languages: Tagalog, Bengali, Arabic, Kurdish, Spanish, Turkish, Cantonese, Vietnamese, Kurmanji, and English.

[3] Tania Lambert, writing in The Conversation, considers that "the film while imperfect in that some stories are stronger than others, is a nuanced examination of race and class.

This is a drama of modest qualities, more adept at painting pockets of time in the characters’ lives rather than self-contained (or thematically related) narratives.

"[6] Reviewing for The Sydney Morning Herald, Paul Byrne awards the film 4 stars finishing "It’s a clever construction, and it helps that there is only one editor, Martin Connor, keeping the tone consistent throughout.

"[7] Also in The Sydney Morning Herald, Debi Enker gives it 4 1/2 stars, stating: "Getting the tone, pace and balance right on an anthology isn’t easy.