Higgins Glass

Their work combines a Kandinsky-esque visual aesthetic with an emphasis on functionality of the finished pieces.

While working towards her master's degree, Frances studied under Michael at the Institute and their mutual fascination with glass fusing techniques quickly led to a personal as well as professional relationship.

They were married in 1948 and immediately set up a studio to cooperatively explore the then-unknown field of modern glass fusing.

[1] By 1950 the Higgins' finished products were appearing in upscale retail stores like Marshall Fields, Bloomingdales and others.

Today their work is considered highly collectible and is prized by both museums and private collectors alike.