Hildegard Westerkamp

A Walk Through the City (1981) Harbour Symphony (1986) Cricket Voice (1987) Kits Beach Soundwalk (1989) Beneath the Forest Floor (1992) Gently Penetrating Beneath the Sounding Surfaces of Another Place (1997) Into the Labyrinth (2000) Attending to Sacred Matters (2002) Hildegard Westerkamp (born April 8, 1946, in Osnabrück, Germany) is a Canadian composer, radio artist, teacher, and sound ecologist.

[3] In 2024, Westerkamp received an honorary doctorate from SFU in recognition of her contributions to acoustic ecology, music composition, and sound studies.

To quote Randolph Jordan, "Her compositions are ideally suited for helping to flesh out Van Sant's portraits of young people adrift in worlds from which they are seemingly detached, but who might well be pointing towards alternative modes of environmental awareness."

Through her work with Schafer and with radio, she developed a deep interest and concern for noise and the acoustic environment, which greatly influenced her style of composition.

She has also composed soundtracks for radio dramas and film and her music has been featured in movies by Gus Van Sant including Elephant (2003) and Last Days (2005).

According to Andra McCartney and Marta McCarthy, "Hildegard Westerkamp's (1990) composition École Polytechnique is an artistic response to one of Canada's most profoundly disturbing mass murders, the 1989 slaying of fourteen women in Montreal, Quebec.