Carter wrote the work during the summer of 1944, on commission from the Boston Symphony Orchestra, to celebrate the liberation of Paris during World War II.
In addition, Carter composed the overture for the Independent Concert Music Publisher's Contest 1945, and won this competition.
The music is optimistic in spirit, reflecting Carter's own affection for his years in Paris and reaction to news of the Allied victory in France.
Whilst reminiscent of the populist manner of Aaron Copland, according to the composer himself, the work was also one of his first to use "different contrasting layers of musical activity at the same time".
[3] In addition, Carter has said of the work: ... it was to be a demonstration of brilliant orchestration, and a lively, good-spirited sort of piece.