The Second String Quartet by American composer Elliott Carter was completed in 1959.
The quartet is considerably influenced by the music of European avant-garde composers who were gaining celebrity at this time, particularly Pierre Boulez's Le Marteau sans maître.
This is a much more fragmentary piece than his earlier quartet (1951): the four instruments play very individual roles and unpredictably bounce off one another.
Indeed, Carter has instructed the players to sit as far apart as possible so that they appear to be playing different pieces simultaneously.
[2] This work had brought Carter recognition in America comparable to what his First has given him back in Europe.