It was in archduke Leopold William of Austria's collection in Brussels from 1653 to 1662 before being moved to the Imperial Galleries in Vienna (now the Kunsthistorisches Museum), before finally being exchanged for another work with the Uffizi in Florence in 1793, where it is now inventory number 950.
[1] The German occupiers then seized it and other works from the Uffizi, taking them to the Castel Giovo in the Province of Bolzano, intending to take all the works they had looted from the Uffizi to Germany.
[2] Bernard Berenson proposed that the painting was done in collaboration with the Palma il Vecchio workshop.
An engraving after the painting by Jan van Troyen was included in the Theatrum Pictorium, published in Antwerp in 1660 by the painter David Teniers the Younger.
It was a collection of 243 engravings by various artists, taken from paintings belonging to Archduke Leopold Wilhelm of Austria.