A sonically diverse urban record with reggaeton songs and sentimental ballads, Homerun experiments with latin trap influences, using a variety of guitar and keyboard sounds from hip hop and caribbean styles.
Nine singles were released from the album, including the international number-one track "Adán y Eva", and the top-10 charting "Nena Maldición", "Dímelo", "Chica Paranormal" and "Tal Vez".
The standard edition of the album contains eighteen tracks and its style is generally characterized by the use of spanglish as a musical resource and Latin American idioms abound in its lyrics.
[7] The next track and fifth single "Adán y Eva" is an urban song with "reggae sounds, melodic tones and a romantic lyric that talks about the conquest of a girl and the beginning of a relationship".
[10] "Por Eso Vine" is a song that mixes trap with reggaeton, using a cumbiero bass as a complement, although it "adds precious keyboards and synthesized strings that elevate it from the average".
[11] The album's closing song "Sigan Hablando de Mí" is a trap track that is aimed at detractors, in which he sings: “Yo tengo talento, ustedes plata” (I have talent, you have money).
[5] In June 2019, Paulo announced his Homerun Tour in support and promotion of the album, with which he visited Paraguay, Costa Rica, Chile, Spain, Peru, Panama, Guatemala, Uruguay and some cities in Argentina.
[15] Juan Manuel Garrido of the Spanish website Urban Rooster News praised Londra's work, saying that he is a "talented and very versatile artist who can adapt to different musical genres" and noted that Paulo in the song "Maldita Abusadora achieves a spectacular and catchy melody with only two guitars".
[16] The American magazine Billboard praised Londra's work, writing that the artist "has made all the right moves; that he relied on singles and few but timely collaborations that allowed him to grow".
[17] In addition, the magazine noted that "Homerun has a sonic backbone that never leaves behind the unmistakable color of Paulo's voice and his way of phrasing", comparing his work as a similarity to Drake's Views (2016) and Ed Sheeran's ÷ (2017) albums.