The band described the album as "pub-rock-meets-art-rock", with their rock 'n' roll matched with "literate, visceral lyrics that are equal parts character studies and modern commentary on the darker underbelly of Australia".

[3] Nathan Whittle from Louder Than War said "Where many bands nowadays take pointed aims at those above, on Hoo Ha, Bad//Dreems turn their gaze inwards to often inhabit the characters whose ideals and desires shape their actions, regardless of consequence.

fills in the gaps, weaving punchy political protest with searing sonic assaults that, occasionally, break into disarmingly melodic or atmospheric moments.

was, "an unflinching take on the current state of social and political affairs in our country, set to a brand of rock'n'roll that sounds both muscular and vulnerable, as well as completely Australian.

"See You Tomorrow" sounds like the Fall, if Mark E. Smith hailed from regional Australia, drank Resch's instead of real ale, and snorted meth instead of speed.