The album features, among others, producer Chris Spedding on keyboards and guitar, drummer Billy Rogers, who notably played with Johnny Thunders and the Ramones,[5][6] and Ramone's wife Barbara on bass and vocals.

Spedding had been hired by Ramone's label, the Toronto-based Other Peoples Music, to produce the album.

According to Spedding, they both enjoyed working together, and he found Ramone to be very professional, "which I didn't expect because he had a strange reputation."

[7] Allmusic's Stewart Mason gave the album 1½ stars out of 5, describing it as "a pathetic mess made by a guy whose best work was over two decades in his past and who was reduced to Rutles-style imitations of those past glories."

He went on to say that Chris Spedding's production gives the album "a crisp '70s punk sheen that's actually rather nice on its own merits but which really only points up the complete lack of inspiration in the songs.