[citation needed] At that time most records from the current artists were imported from England, which created a problem fulfilling the radio's "33% Canadian content" obligation.
[citation needed] By 1981, his self-taught producing/engineering skills had reached a professional level and he branched out into other forms of music such as jazz and classical.
[citation needed] In Toronto, Moore continued to produce rock, jazz, and classical recordings as well as film and TV scores.
In 1985, he was approached by Adcom Electronics, Canada’s largest professional video supplier, to create and manage a new audio division.
It was recorded at Toronto, Ontario's Church of the Holy Trinity on November 27, 1987, using one ambisonic stereo microphone connected to a Beta VCR.
"[4] A similar challenge was brought to Moore in 2013 when Garth Hudson of The Band decided it was time to digitalize the Basement Tapes which he had recorded throughout 1967 while Bob Dylan was recuperating at Big Pink after his 1966 motorcycle accident.