In 1913, Antonio Monteleone died, and the business passed to his son Frank, who in 1928 added 200 more rooms, a year before the stock market crash that presaged the Great Depression.
In 1964, the fifth and final major expansion saw the addition of more floors, more guest rooms, and a Sky Terrace with swimming pools and cocktail lounges.
References to the Hotel Monteleone and its Carousel Bar are included in Tennessee Williams' The Rose Tattoo and Orpheus Descending, Rebecca Wells' Divine Secrets of the Ya-Ya Sisterhood and Little Altars Everywhere, Stephen Ambrose's Band of Brothers, Richard Ford's A Piece of My Heart, Eudora Welty's A Curtain of Green, Gerald Clarke's Capote: A Biography; Erle Stanley Gardner's Owls Don't Blink (written under the pen name A.A. Fair), Ernest Hemingway's "Night Before Battle" (published in The Complete Short Stories of Ernest Hemingway) Harry Stephen Keeler's The Voice of the Seven Sparrows and John Grisham’s “The Reckoning.” Ernest Hemingway, Tennessee Williams, and William Faulkner made a point of staying at the Hotel Monteleone while visiting New Orleans.
(He wasn't; his mother lived at the hotel during her pregnancy, but she safely made it to the hospital in time for Truman's birth.
The 25-seat carousel bar turns on 2,000 large steel rollers, pulled by a chain powered by a one-quarter horsepower (190 W) motor at a constant rate of one revolution every 15 minutes.
[9] During the 1950s and 1960s, the Carousel Bar was also the site of a popular nightclub, the Swan Room, where musicians such as Liberace and Louis Prima performed.