Hugo Scheiber

At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers.

The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's.

Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including László Moholy-Nagy and Sándor Bortnyik.

The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind.

Apart from the political activists, there were independent Modernists such as Scheiber and Kádár, who hoped to find fertile ground for their aesthetic and social idealism.

He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes.

His work has also been shown in many important exhibitions, including: Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses.

Self-portrait
Jazz band
Cancan