[1] In 1995, she completed a BFA at the Indus Valley School of Art and Architecture in Karachi, Pakistan, and in 2010, received an MFA from Transart Institute in Berlin, Germany.
Drawing on the geography of visual culture that is part of her South Asian heritage, she opens up the politics of place,[24] engaging with the absurdities of existence and our casual acceptance of all that surrounds us.
[27] Her sculptural installation Arabian Delight (2008) refers to the aspects of economic migration, to the anticipations of the migrants and corresponding reality.
Aziz Sohail noted that it was Mulji's point to make a parallel to social inequality and to how the life of people is affected during the developmental projects.
[30] Hamna Zubair wrote: In this way, the lamppost at Pioneer Book Store may just turn out to be the most authentic work at KB17, in that it organically sparked a much-need conversation about the privilege and social stratification the art world must navigate.