Hungarian folk music

Instruments traditionally used in Hungarian folk music include the citera, cimbalom, cobza, doromb, duda, kanászkürt, mandolin, tárogató, tambourine, tambura, tekero and ütőgardon.

The name Népzene is also used for Hungarian folk music as an umbrella designation of a number of related styles of traditional folk music from Hungary and Hungarian minorities living in modern-day Austria, the, Czech Republic, Poland, Slovakia, central Romania (Transylvania) (Székely), Moldova (Csángó), and Serbia.

The obscure origins of Hungarian folk music formed among the peasant population in the early nineteenth century with roots dating even further back.

Béla Bartók took this departure into the abstract musical world in his appropriation of traditional Hungarian as the basis for symphonic creations.

Zoltán Kodály and Béla Bartók studied over 300 melodies, and noted that more modern tunes used for dancing featured pentatonic turns with frequent leaps in fourths.