The audience is mobile, able to follow actors and watch scenes as each individual chooses.
Ensslin places Deemer's one-act hyperdrama The Last Song of Violeta Parra[6] in the canon of "first generation hypertext."
[9] In 2009, the American Repertory Theater and Punchdrunk performed Sleep No More, "a hyperdrama rendition of Macbeth with a creepy, Hitchcock feel.
"[11] Tegan Zimmerman uses the presentation software Prezi to explore "Hypertext and Hyperdrama" and their relationship online.
[12] Other hyperdrama works of note are Tamara by John Krizanc and Tony n' Tina's Wedding.