[11] The Baltimore Sun thought that "there's no guitar flash here, no screaming vocals, just the old blues played with elegant authority by one of the masters.

"[15] Nashville Scene declared that "the title cut may be the blues song of the year, featuring a spry, defiant Lockwood backed by tight, fluid licks from guest star B.B.

"[18] Guitar Player also noted that "fat 9th chords, slick major 6th harmonies, and slippery II-V turnarounds permeate I Got to Find Me a Woman.

"[4] The Los Angeles Daily News wrote that Lockwood "offers a lovely Robert Johnson medley ... where he exchanges his usual 12-string electric guitar for a six-string and plays sizzling slide.

[9] AllMusic concluded that, "had this record—with its mix of spare, raw solos and duets juxtaposed with full band pieces that thunder quietly or roar loud and clear—come out in the late '60s, it might have been as big and important a record as anything cut by Muddy Waters (maybe more, since Waters didn't get to make albums as strong and straightforward as this until the 1970s).