After her phone is hacked and compromising photos of her are leaked, Suzie struggles to keep her marriage to Cob (Daniel Ings) together and protect her deaf son Frank (Matthew Jordan-Caws).

[8] The musical score to I Hate Suzie was composed by Johnny Lloyd and Nathan Coen, who previously worked with Piper on her directorial debut Rare Beasts.

The website's critical consensus reads, "Gazing into the eye of the celebrity storm with frenzied style, I Hate Suzie is a ruthless satire on stardom that is effortlessly carried by Billie Piper's manic performance.

[19] Writing for The Telegraph, Chris Bennion gave the show 5 out of 5 stars, stating "I Hate Suzie is a glorious mess of ideas, a potent, fizzing monument to the creativity of its makers.

"[20] Lucy Mangan of The Guardian praised the collaboration between Prebble and Piper, calling the show a "wild ride that feels like an absolute gift.

"[21] Kristen Baldwin in her review for Entertainment Weekly gave the series an "A" rating, calling it a "bloody brilliant exploration of modern womanhood" that "tells a wholly unique story about the liberation that comes from total exposure.

"[22] Sonia Saraiya of Vanity Fair wrote, "I Hate Suzie is a masterclass in tone... a portrait of vulnerability that bewitches not by prettifying itself, or making itself ugly, but instead with stark, unfiltered honesty.

"[23] Ed Cumming of The Independent wrote, "Piper has a rare gift for eliciting sympathy... [w]hat emerges is a black-comedy-horror about female friendship, modern fame, and the impossibility of true privacy in a world where everyone has an online video camera in their pockets.

[25] Matt Walsh of TV Guide wrote: "You might squirm but will never hate the excellent Piper, as Suzie careens from self-pity to self-disgust in a surreal blur of debauched despair.

"[26] Writing for Decider, Joel Keller found the first episode to be "an effective exercise in seeing a person's life fall apart around them in short order" but was more "intrigued with seeing Piper's interpretation of how Suzie tries to put the pieces back together.