[8] Stereogum named it album of the week, with the website's Tom Breihan writing that its "short and sharp and punchy" tracks "don't move like the patient, thoughtful ones on her EPs.

[13] NME's Skye Butchard felt that "two mid-tempo tracks early on stalls the record’s momentum" but that "the album picks up in its explorative second half" and "when it works, it's like finding dance music for the first time.

"[1] The Line of Best Fit's Callum Foulds concluded that Gou "pays homage to [her] talents, laying a path that is singularly hers to embark on, one on which she carries the future of dance-music, and all of it's fun".

[10] Paul Simpson of AllMusic found it to be "much closer to the type of risk-taking album fans would expect her to make based on her eclectic DJ sets, seemingly encapsulating her musical evolution and influences in ten songs".

[9] Pitchfork's Chal Ravens felt that Gou "cherry-pick[s] iconic sounds from house music's '80s and '90s heyday" but concluded that "there's no point in throwing around grand concepts like so much glitter in order to feel like a serious album artist—just turn up the 'nananas' and keep the piña coladas coming".