Demons can be seen as a continuation of the Canterbury scene, which involved acts like Soft Machine and Robert Wyatt.
Other similar acts include Aksak Maboul, Pit er Pat, Pop-off Tuesday, Lightning Bolt, and Cheer-Accident.
Blue Hawaii also runs a recording studio in Chicago's south loop called the Shape Shoppe.
[7] Besides Bablicon and Icy Demons, he has engineered and mixed many local and regional bands' records.
He worked with Beirut to record the album March of the Zapotec and an LP with rapper Count Bass D.[8]