A remastered edition of the album was later issued as a double disc LP set through Christoph de Babalon's Cross Fade Enter Tainment imprint.

"Opium", a 15-minute ambient drone piece, was chosen as the album's opener after a suggestion to Christoph by the staff of Digital Hardcore Recordings.

[2] In Philip Sherburne's review of the remastered edition of the album for Pitchfork Media, he described "Opium" as "a 15-and-a-half-minute swath of slowly cycling foghorn drones, church bells, and dubbed-out cries".

[3] Two other ambient pieces, "Brilliance" and "High Life (Theme)" share the same lo-fi industrial tone as "Opium" and are interspersed between characteristically heavy and rhythmic breakcore tracks, which Sherburne described as featuring elements of "face-punching breakbeats wrapped up in haywire synths and suffused in foggy wrongness" and "exploding breaks over queasy drones".

[2] Digital Hardcore Recordings operator and Atari Teenage Riot member Alec Empire is also a very big fan of the album, saying that it is the most important release put out through the label.