The skills of improvisation can apply to many different abilities or forms of communication and expression across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines.
For example, improvisation can make a significant contribution in music, dance, cooking, presenting a speech, sales, personal or romantic relationships, sports, flower arranging, martial arts, psychotherapy, and much more.
The simple act of speaking requires a good deal of improvisation because the mind is addressing its own thought and creating its unrehearsed delivery in words, sounds and gestures, forming unpredictable statements that further feed the thought process (the performer as the listener), creating an enriched process that is not unlike instantaneous composition with a given set or repertoire of elements.
This can be when an individual or group is acting, dancing, singing, playing musical instruments, talking, creating artworks, problem-solving, or reacting in the moment and in response to the stimulus of one's immediate environment and inner feelings.
A major exception was the situation comedy Mork & Mindy where star Robin Williams was allotted specific sections in each episode where he was allowed to perform freely.
The origins of Liszt's improvisation in an earlier tradition of playing variations on a theme were mastered and epitomized by Johann Sebastian Bach, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.
[10] It often incorporates insults similar to those in the African-American game The Dozens, and complex rhythmic and sometimes melodic forms comparable to those heard in jazz improvisation.
Notable pioneers in the field of improvisation, comedic or otherwise, include Mike Myers, Neil Mullarkey, Paul Merton, Stephen Fry, John Sessions, Josie Lawrence, Viola Spolin, Paul Sills, David Shepherd, Del Close, Josephine Forsberg, Gary Austin, Martin de Maat, and Keith Johnstone.
Notable performers include: Paul Merton, Stephen Colbert, Steve Carell, Bill Murray, Harold Ramis, Robert Townsend, Colin Mochrie, Ryan Stiles, Ross Noble, Eddie Izzard, Tony Slattery, Mike McShane, Sandi Toksvig, Wayne Brady, Jonathan Winters, T. J. Jagodowski, Robin Williams, Conan O'Brien and David Pasquesi.
Experimenting with the concepts of shape, space, time, and energy while moving without inhibition or cognitive thinking can create unique and innovative movement designs, spatial configuration, dynamics, and unpredictable rhythms.
Contact improvisation originated from the movement studies of Steve Paxton in the 1970s and developed through the continued exploration of the Judson Dance Theater.
The director Mike Leigh uses lengthy improvisations developed over a period of weeks to build characters and story lines for his films.
This can take a variety of forms, from as basic as passing a notebook around a circle of writers with each writing a sentence, to coded environments that focus on collaborative novel-writing,[15] like OtherSpace.
[17] Examples of such improvisation was the re-engineering of carbon dioxide scrubbers with the materials on hand during the Apollo 13 space mission,[18] or the use of a knife in place of a screwdriver to turn a screw.
Engineering improvisations may be needed because of emergencies, embargo, obsolescence of a product and the loss of manufacturer support, or just a lack of funding appropriate for a better solution.
[20] The popular television program MacGyver used as its gimmick a hero who could solve almost any problem with jury rigged devices from everyday materials, a Swiss Army knife and some duct tape.