Light board operators also have to be attentive, being ready for any quick adjustments needed during a live production, where failures or improv can occur at any time.
Each light's specifications, like color or intensity is chosen and its positioning relative to the stage and actors as well.
The timing of each cue is carefully monitored by the light board operator as it is pivotal to provide seamless scene changes as to not mess up the tempo of the production.
During technical rehearsals, the light board operator must ensure all cues are properly working and synchronized with what is happening on stage.
Checks will be run everyday to find any issues that must be immediately solved to ensure the technical aspect of the production are opening night ready.
Communication still continues during runs of the production in front of a live audience, just in case there is an issue with lighting that must be resolved on the spot.
Other agencies such as the USITT(United States Institute of Theatre Technology) and the IATSE (International Alliance of Theatrical Stage Employees) also put out a set of guidelines and rules that should be followed.
[4] Many hardware and software tools are required to perform the job of light board operator.
A laptop is considered one of the most essential tools to a lightboard operator due to the fact it is one of the most common interface connecting the software to the hardware.
Older consoles have more physical controls, where more input is required from the light board operator.
[5] Below are some of the different types of controllers: This is a software application that is used on laptops to emulate lighting board consoles.
A remote focus unit is a handheld device to control the movement of lighting apparatuses.