In Search of a Concrete Music [1] (French: À la recherche d'une musique concrète), written and published in 1952, is a French language publication which forms a major part of the experimental composer and theoretician Pierre Schaeffer's collection of works written to record his own undertakings on the development of musique concrète.

[2] In this text, some have suggested, Schaeffer imagined a computerized music studio: La cohérence de cette perspective nous mène […] aux machines de la cybernétique.

), que des circuits oscillants dotent d’une certaine mémoire, permettront le jeu infini des combinaisons numériques complexes qui sont la clé de tous les phénomènes musicaux.

Indeed, only machines of this type (probably weighing several tons and costing hundreds of millions!

), with oscillating circuits equipped with a certain memory, will permit endless play with complex numerical combinations, which are the key to all musical phenomena.