Its early history began with the works of Henry Louis Vivian Derozio and Michael Madhusudan Dutt followed by Rabindranath Tagore and Sri Aurobindo.
[citation needed] R. K. Narayan, Mulk Raj Anand and Raja Rao contributed to the growth and popularity of Indian English fiction in the 1930s.
Both Toru Dutt and Krupabai Satthianadhan, two promising Indian English writers of the nineteenth century died untimely in their early twenties and thirties respectively.
Ram Nath Kak (1917–1993), a Kashmiri veterinarian, wrote his autobiography Autumn Leaves, which is one of the most vivid portraits of life in 20th century Kashmir and has become a sort of a classic.[who?]
Some criticise Narayan for the parochial, detached and closed world that he created in the face of the changing conditions in India at the times in which the stories are set.
Narayan's evocation of small-town life and its experiences through the eyes of the endearing child protagonist Swaminathan in Swami and Friends is a good sample of his writing style.
Simultaneous with Narayan's pastoral idylls, a very different writer, Mulk Raj Anand (1905–2004), was similarly gaining recognition for his writing set in rural India, but his stories were harsher, and engaged, sometimes brutally, with divisions of caste, class and religion.
Another writer who has contributed immensely to the Indian English Literature is Amitav Ghosh who is the author of The Circle of Reason (his 1986 debut novel), The Shadow Lines (1988), The Calcutta Chromosome (1995), The Glass Palace (2000), The Hungry Tide (2004), and Sea of Poppies (2008), the first volume of The Ibis trilogy, set in the 1830s, just before the Opium War, which encapsulates the colonial history of the East.
In a similar vein, M. G. Vassanji was born in Kenya of Indian descent and emigrated to Canada; he twice won the Giller Prize, for The Book of Secrets (1994) and The In-Between World of Vikram Lall (2003), as well as the Governor General's Award for English-language non-fiction for A Place Within: Rediscovering India (2008), a travelogue.
Vikram Chandra is another author who shuffles between India and the United States and has received critical acclaim for his first novel Red Earth and Pouring Rain (1995) and collection of short stories Love and Longing in Bombay (1997).
Arundhati Roy, a trained architect and the 1997 Booker prize winner for her The God of Small Things, calls herself a "home grown" writer.
Similarly, Arnab Jan Deka, a trained engineer and jurist, writes about both physical and ethereal existentialism on the banks of the mighty river Brahmaputra.
His co-authored book of poetry with British poet-novelist Tess Joyce, appropriately titled A Stanza of Sunlight on the Banks of Brahmaputra (1983), published from both India and Britain (2009), evokes the spirit of flowing nature of life.
Chaudhuri feels that after Rushdie, IWE started employing magical realism, bagginess, non-linear narrative and hybrid language to sustain themes seen as microcosms of India and supposedly reflecting Indian conditions.
He further adds "the post-colonial novel, becomes a trope for an ideal hybridity by which the West celebrates not so much Indianness, whatever that infinitely complex thing is, but its own historical quest, its reinterpretation of itself".
Amitav Ghosh made his views on this very clear by refusing to accept the Eurasian Commonwealth Writers Prize for his book The Glass Palace in 2001 and withdrawing it from the subsequent stage.
The renowned writer V. S. Naipaul, a third generation Indian from Trinidad and Tobago and a Nobel prize laureate, is a person who belongs to the world and usually not classified under IWE.
Notable 20th Century authors of English poetry in India include Dilip Chitre, Kamala Das, Eunice De Souza, Nissim Ezekiel, Kersy Katrak, Shiv K. Kumar, Arun Kolatkar, P. Lal, Jayanta Mahapatra, Dom Moraes, Gieve Patel, A. K. Ramanujan, Madan Gopal Gandhi, and P C K Prem among several others.
The younger generation of poets writing in English include Abhay K, Arundhathi Subramaniam, Anju Makhija, Bibhu Padhi, Ranjit Hoskote, Sudeep Sen, Smita Agarwal, Makarand Paranjape, Jeet Thayil, Jaydeep Sarangi, Mani Rao, Jerry Pinto, K. V. Dominic, Meena Kandasamy, Nalini Priyadarshni, Gopi Kottoor, Tapan Kumar Pradhan, Rukmini Bhaya Nair, Robin Ngangom, Vihang A. Naik and K Srilata.
Modern expatriate Indian poets writing in English include Agha Shahid Ali, Sujata Bhatt, Richard Crasta, Yuyutsu Sharma, Tabish Khair and Vikram Seth.
During the last four decades this bilingual literary movement has included Richard Kostelanetz, John M. Bennett, Don Webb, Sheila Murphy and many others worldwide and their Indian counterparts.