The 30,000-year-old paleolithic and neolithic cave paintings at the UNESCO world heritage site at Bhimbetka rock shelters in Madhya Pradesh show a type of dance.
[18][19][20] Smriti (500 BCE to 100 BCE ) post-vedic Hindu texts[21][22][23] include Valmiki's Ramayana (500 BCE to 100 BCE) which mentions dance and music (dance by Apsaras such as Urvashi, Rambha, Menaka, Tilottama Panchāpsaras, and Ravana's wives excelling in nrityageeta or "singing and dancing" and nritavaditra or "playing musical instruments"), music and singing by Gandharvas, several string instruments (vina, tantri, bīn, vipanci and vallaki similar to veena), wind instruments (shankha, venu and venugana – likely a mouth organ made by tying several flutes together), raga (including kaushika such as raag kaushik dhwani), vocal registers (seven svara or sur, ana or ekashurti drag note, murchana the regulated rise and fall of voice in matra and tripramana three-fold teen taal laya such as drut or quick, madhya or middle, and vilambit or slow), poetry recitation in Bala Kanda and also in Uttara Kanda by Luv and Kusha in marga style.
These Sapta Svaras are spelt as Sa, Re, Ga, Ma, Pa, Dha and Ni, but these are shortforms of Shadja (षड्ज), Rishabha (ऋषभ), Gandhara (गान्धार), Madhyama (मध्यम), Panchama (पंचम), Dhaivata (धैवत) and Nishada (निषाद) respectively.
Sangeet Natak Academy recognizes eight classical dance and music forms, namely Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam.
It consists of a composition with improvised embellishments added to the piece in the forms of Raga Alapana, Kalpanaswaram, Neraval and, in the case of more advanced students, Ragam Thanam Pallavi.
The main emphasis is on the vocals as most compositions are written to be sung, and even when played on instruments, they are meant to be performed in a singing style (known as gāyaki).
[citation needed] Noted artists of Carnatic music include Ariyakudi Ramanuja Iyengar (the father of the current concert format), Palghat Mani Iyer, Madurai Mani Iyer, Semmangudi Srinivasa Iyer, Nedunuri Krishnamurthy Alathur Brothers, M. S. Subbulakshmi, Lalgudi Jayaraman, Balamuralikrishna, T. N. Seshagopalan, K. J. Yesudas, N. Ramani, Umayalpuram K. Sivaraman, Sanjay Subrahmanyan, T. M. Krishna, Bombay Jayashri, Aruna Sairam, Mysore Manjunath, Every December, the city of Chennai in India has its eight-week-long Music Season, which is the world's largest cultural event.
The tradition of Hindustani music dates back to Vedic times where the hymns in the Sama Veda, an ancient religious text, were sung as Samagana and not chanted.
A Tamang Selo can be catchy and lively or slow and melodious, and is usually sung to convey sorrow, love, happiness or day-to-day incidents and stories of folklore.
These songs, composed by Srimanta Sankardeva and Madhavdeva in the 15th–16th centuries, are used to begin prayer services in monasteries, e.g. Satra and Namghar associated with the Ekasarana Dharma; and they also belong to the repertoire of Music of Assam outside the religious context.
[59][58] Similarly, as does the dance related to commoner Khamba and princess Thoibi – who perform as pan-Indian Shiva and Parvati, in the legendary tragic love story of Khamba-Thoibi found in the Manipuri epic Moirang Parba.
Music composers, like R. D. Burman, Shankar Jaikishan, S. D. Burman, Laxmikant–Pyarelal, Madan Mohan, Bhupen Hazarika, Naushad Ali, O. P. Nayyar, Hemant Kumar, C. Ramchandra, Salil Chowdhury, Kalyanji Anandji, Ilaiyaraaja, A. R. Rahman, Jatin–Lalit, Anu Malik, Nadeem-Shravan, Harris Jayaraj, Himesh Reshammiya, Vidyasagar, Shankar–Ehsaan–Loy, Salim–Sulaiman, Pritam, M. S. Viswanathan, K. V. Mahadevan, Ghantasala and S. D. Batish employed the principles of harmony while retaining classical and folk flavor.
Recent playback singers include Udit Narayan, Kumar Sanu, Kailash Kher, Alisha Chinai, KK, Shaan, S. P. Charan, Madhushree, Shreya Ghoshal, Nihira Joshi, Kavita Krishnamurthy, Hariharan (singer), Ilaiyaraaja, A. R. Rahman, Sonu Nigam, Sukhwinder Singh, Kunal Ganjawala, Anu Malik, Sunidhi Chauhan, Anushka Manchanda, Raja Hasan, Arijit Singh and Alka Yagnik.
Rock bands like Indus Creed, Indian Ocean, Silk Route and Euphoria have gained mass appeal with the advent of cable music television.
[70] Besides those listed above, popular Indi-pop singers include Sanam[71] (Band), Gurdas Maan, Sukhwinder Singh, Papon, Zubeen Garg, Raghav Sachar Rageshwari, Vandana Vishwas, Devika Chawla, Bombay Vikings, Asha Bhosle, Sunidhi Chauhan, Anushka Manchanda, Bombay Rockers, Anu Malik, Jazzy B, Malkit Singh, Raghav, Jay Sean, Jaimin Rajani, Juggy D, Rishi Rich, Udit Swaraj, Sheila Chandra, Bally Sagoo, Punjabi MC, Beno, Bhangra Knights, Mehnaz, Sanober and Vaishali Samant.
With the introduction of MTV in the early 1990s, Indians began to be exposed to various forms of rock such as grunge and speed metal, impacting the national scene.
The cities of the North Eastern Region, mainly Guwahati and Shillong, Kolkata, Delhi, Mumbai and Bangalore have emerged as major melting pots for rock and metal enthusiasts.
Some prominent bands include Nicotine, Voodoo Child, Indian Ocean, Kryptos, Thermal and a Quarter, Demonic Resurrection, Motherjane, Avial, Bloodywood and Parikrama.
The first traces of "raga rock" can be heard on songs such as "See My Friends" by the Kinks and the Yardbirds' "Heart Full of Soul", released the previous month, featured a sitar-like riff by guitarist Jeff Beck.
Indeed, the term "raga rock" was coined by The Byrds' publicist in the press releases for the single and was first used in print by journalist Sally Kempton in her review of "Eight Miles High" for The Village Voice.
Jazz innovator Miles Davis recorded and performed with musicians like Khalil Balakrishna, Bihari Sharma, and Badal Roy in his post-1968 electric ensembles.
Virtuoso jazz guitarist John McLaughlin spent several years in Madurai learning Carnatic music and incorporated it into many of his acts including Shakti which featured prominent Indian musicians.
Legendary Grateful Dead frontman Jerry Garcia joined guitarist Sanjay Mishra on his classic CD "Blue Incantation" (1995).
in 2000 he recorded Rescue with drummer Dennis Chambers (Carlos Santana, John McLaughlin et al.) and in 2006 Chateau Benares with guests DJ Logic and Keller Williams (guitar and bass).
[113] Truth Hurts' 2002 song "Addictive", produced by DJ Quik and Dr. Dre, was taken from Lata Mangeshkar's "Thoda Resham Lagta Hai" in Jyoti (1981).
[121] Hindi films were originally distributed to some parts of Africa by Lebanese businessmen, and Mother India (1957) continued to be screened in Nigeria decades after its release.
Women sing Hindu bhajans and folk songs from the music of Bhojpur on various important life events, rituals, celebrations, festivals like phagwah and holi.
Asian Dub Foundation are not huge mainstream stars, but their politically charged rap and punk rock influenced sound has a multi-racial audience in their native UK.
Due to shared cultural heritage and language, Indian music and Bollywood films are also popular in Afghanistan, Pakistan, Bangladesh, and Nepal, where Hindustani is widely understood.
[141] Australia and New Zealand have 2 percent Indian population, as well as other a large South Asian diaspora, and Bollywood music and movies are popular amongst non-Asians in the country as well.