Inducement rule

Originating from patent law, the inducement rule test was articulated in Justice Souter's majority opinion in MGM Studios, Inc. v. Grokster, Ltd., a significant 2005 copyright and peer-to-peer file-sharing Supreme Court case.

"[2] In the case of Grokster, the Court found evidence of such "expression and conduct" by noting that the two file-sharing software companies in question actively sought former Napster users, attempting to establish their respective services as alternatives once it became clear that Napster would cease to exist after judicial action; further, the companies refused to build filtering mechanisms into its software to reduce the infringing use of it by their users.

Several parties with little interest to the outcome of the case have submitted amicus briefs to support the companies' position that creating such filters would be highly difficult, impractical, and non-effective (see 'Criticism').

[3] Fred von Lohmann, an intellectual property lawyer with the Electronic Frontier Foundation, states Grokster similarly "create[s] a new theory of liability that will tie up the courts for a long time," pointing out that litigation could be used as a tool to delay the development and activity of technology-producing companies regardless of whether the software in question is able to be held liable.

For instance, the Court writes, "The inducement rule, instead, premises liability on purposeful, culpable expression and conduct..." Because "inducement" is defined so broadly, say critics, it seems plausible that many current products could violate the same three principles as Grokster - one could argue that the marketing of the popular mp3 player known as the iPod meets all three criteria that the court proposed: 1) Apple's advertising campaign "Rip, Mix and Burn" can be interpreted as a direct incitement to copyright infringement, 2) Apple has not taken visible steps to discourage copyright infringement (i.e., the iPod plays MP3 files which are widely distributed on file-sharing sites, rather than creating or relying on a more restrictive format that would ensure that the user had purchased the files they were playing), and 3) Apple benefits monetarily from copyright infringement, as they sell iPods that can store up to 120 gigabytes of music—which vastly exceeds most users' libraries of legally obtained music—which "can only be meant for storing illegally downloaded music," according to one critic.