Moving to Sui, Baluchistan for Suroz, Cholistan for Raanti, Gilgit-Baltistan for Chardha, Peshawar in Khyber Pakhtunkhwa for Sarinda, and finally to Lahore for Sarangi.
[8] The cast of the film consists of the musicians and craftsmen narrating the sorry state of affairs and surviving in a society that is intolerant to their art and craft.
They reveal that religious bigotry plays a major role in marginalizing them which has resulted in the lack of patronage and economic problems for these artists.
"[11] Omair Ali wrote for Wire.in that "As much as the documentary shows the joy that the music brings, it is situated in the bleak atmosphere of a conflict-ridden society, where the musicians are forced to talk of their relatives wounded by mortar shelling, or confronted by villagers accusing them of immoral practices.
This is groundbreaking in the sense that, prior to this movie, no other director or producers had ever attempted to highlight the issues faced by our folk musicians and instrument-makers, and how they are trying to keep their art and craft alive.