Furthermore, she has exhibited her work throughout Europe, as well as in Los Angeles.
In the late 1970s her paintings consisted of large scale geometric forms.
In the next decade she moved towards greater abstraction, although still based on the human figure.
[5] Following a two-year's Master of Fine Arts course at Goldsmiths College in the early 1990s, Kerma explored monochrome and near-monochrome painting.
Other modes include the use of pure pigment and pouring paint onto the canvas.