To celebrate the album's 30th anniversary, in October 2014, ZTT through Union Square Music released a limited edition (2,000 copies only) box set titled Inside the Pleasuredome, available exclusively from the website pledgemusic.com.

"[3] Jim Reid of Record Mirror felt that while the album "would have made a brilliant single LP", it is still "superbly produced and head and shoulders above the rest", observing "intelligence, real sexual glamour and a sense of fun" distinguishing the band from other contemporary pop acts.

[14] In the United States, Rolling Stone critic David Fricke found that the album's songs are "too often ... merely alluring fragments", while concluding that it "revels in its own subversiveness with such audacious glee that it is impossible not to be captivated, if not entirely convinced".

[15] The Village Voice's Robert Christgau was less impressed, calling the group "a truly great hype" but ultimately only "a marginally competent arena-rock band who don't know how to distinguish between effeminacy and pretension".

[18] Retrospectively, AllMusic reviewer Ned Raggett said that Welcome to the Pleasuredome, divorced from "the hype, controversy, and attendant craziness surrounding Frankie", "holds up as an outrageously over-the-top, bizarre, but fun release", as well as "more a testament to Trevor Horn's production skills than anything else.