The piece consists of four sections: Petulance, Remorse, Politeness and Vivacity performed to music by Serge Prokofiev.
As she constructed her own movement vocabulary, Graham rejected the concepts of her teachers Ruth St. Denis and Ted Shawn by initially referencing previous dance forms.
[4] Insincerities is also known to be one of Graham's first efforts at incorporating humor into her dances, and revealed her talent for parody and comedy.
[5] New York Times dance critic John Martin remarked that Insincerities was "outstanding...impudent and malignant in its comment on the four commonplace human qualities..."[4] Of a later performance, The New York Herald Tribune's reviewer wrote that many of Graham's "familiar numbers…have lost nothing of their interest and pertinence," adding that Insincerities had "grown wittier with repetition.
"[1] A critic less enthralled with Graham described the piece in The Brooklyn Daily Eagle as "very thin, expressing nothing at all with the studious affectation of profundity."