[1][2] It has published many artist monographs, as well as art theory and history texts, such as Sue Cramer's 1989 consideration of the appropriation of Aboriginal imagery, a key text in which various art critics and artists addressed the contested aesthetic and ethical issues surrounding the practice of cultural appropriation.
[3] The Institute was supportive of anti-establishment positions; in June 1990, in protest against inflation of international art, the then director Nick Tsoutas staged The Bigger than Ben Hur Art Prices Auction there a couple of weeks ago, for which 35 local artists produced *an original reproduction of an original Renoir or Van Gogh", with the product auctioned for the benefit of the IMA.
[5] In 2014 the Berlin-based Studio Miessen refurbished all the public areas,[6] and in the same year the organisation appointed a new, internationally-focused advisory committee comprising Maria Lind of Stockholm's Tensta Konsthall, Nikos Papastergiadis of the University of Melbourne and New Delhi-based art group Raqs Media Collective.
Honouring artists Jenny Watson and Laurie Nilsen, the event both exhibited works of contemporary art as well as put a selection of works under the auctioneer's hammer, including works by Australian artists Vernon Ah Kee, Khadim Ali, Mikala Dwyer, Yhonnie Scarce, Judy Watson, Richard Bell, Dale Harding, Daniel Boyd and Tracey Moffatt, and major international artists Marina Abramović, Heman Chong, Marianna Simnett and Yvonne Todd.
[21] Past exhibits have included multimedia installations, mirror art by Yoko Ono from the 1960s, the surrealist work of Peter Madden and video montages of early 20th century hard labour.
Exhibitions have featured some big names in the art world, such as the American artists Robert Rauschenberg and John Baldessari,[31] while contemporary Australian artists include Hany Armanious, Kate Parker, Fred Williams, Imants Tillers, Luke Roberts, Mike Parr, Gordon Bennett, Mikala Dwyer, Shaun Gladwell, Angelica Mesiti, Chicks on Speed and Brook Andrew.