Most of their recordings feature a core of drums, bass, two guitars and a lead vocal, though there have been numerous variations on this in the studio.
After the Stones became successful in the US, Richards acquired a Gibson Firebird and a 1959 Les Paul with a Bigsby Vibrato system.
[citation needed] Richards' use of the Les Paul in a British rock band helped popularise the model and ultimately lead to production resuming.
[1] In the late 1960s, Richards played a three pickup Les Paul Custom and began to use Fender Telecasters.
For The Stones in the Park, he played an Epiphone Casino and a Gibson Flying V. On the late 1969 tour he acquired an Ampeg Dan Armstrong model and he used this during the live recording of Get Yer Ya-Ya's Out!.
Brian Jones used a Harmony Stratotone in the early days of the Stones playing the Blues clubs, replacing it with a Gretsch Double anniversary in two tone green.
Jones played the harmonica in the group's early days, and doubled on piano and slide guitar.
He played a variety of other instruments, particularly in the studio, including sitar on "Street Fighting Man" and "Paint It, Black", organ on "2000 Man" and "Let's Spend the Night Together", marimba on "Under My Thumb", "Out Of Time" and "Yesterday's Papers", recorder on "Ruby Tuesday", trumpet on "Child of the Moon", Appalachian dulcimer on "I Am Waiting" and "Lady Jane", and oboe and saxophone on "Dandelion".
Jones played the Mellotron on several Stones tracks, including the single "We Love You" and the albums Their Satanic Majesties Request and Beggars Banquet.
Watts purchased this set from a studio rental company in the late 1970s and used it exclusively up until his final performance with the band in 2019.