Jake Dee writing for JoBlo stated, "All told, INTERSECT takes far too long to arrive at its intended destination, failing to deliver enough spookiness and authentic intrigue along the way, while suffering from a slew of amateurish first-time filmmaker choices at every turn.

Lovecraft, but also wants to be anti-bullying homily, anti-religious screed, and worse yet, a TV-level melodrama that, when all cobbled into one presentation, feels like a jumbled mess.

"[4] James Tucker of Rue Morgue commented, "INTERSECT becomes a lot less challenging when you realize the film is essentially moving backwards, starting from a point close to the end and then cycling back through each major stage of the protagonist’s life...

The pieces are eventually drawn together into a satisfying whole, but when the puzzle is solved you feel more relieved than elated; finally, after slogging through the past we have caught up to the present.

"[5] Hunter Lanier of Film Threat added, "While there’s nothing wrong with the broad strokes of Intersect, the way in which it’s told prevents anything from gaining traction.