This way, everything that will happen to them in the process, from emotions to body movements to speech, will come organically, without being consciously controlled or anticipated, and this way they will be authentic, just like in everyday life, and thus the audiences will understand and believe what they'll see and hear and will empathize with the actor.
[3][5] As a professor and researcher at the Caragiale National University of Theatre and Film from Bucharest, guided by the principle "follow the process, not the success", Ion Cojar worked with his students in order for them to develop a specific psycho-emotional mechanism that, along with the use of a specific acting method, would allow them to easily transform conventions in life truth (conventions like fictional and imaginary life situations, given plot and lines, a character's personality and goal etc.
One of his former students, Luminița Gheorghiu, won the Los Angeles Film Critics Association Award for Best Supporting Actress with her performance in The Death of Mr. Lazarescu (2005).
[7] Professor Mircea Gheorghiu, another former student of Ion Cojar, is considered to be the main continuator of his teaching method in the art of the actor.
[3][5] In theory, Ion Cojar gathered all his research and discoveries in his book entitled "O poetică a artei actorului" ("Poetics of the actor's art").