On this stage, she performed the leading opera parts composed for high soprano (lyrical coloratura soprano), such as Antonida (A Life for the Tsar), The Snow Maiden (Snegurochka), The Swan-Princess (The Tale of Tsar Saltan), Marfa (The Tsar's Bride), the Queen of Shemakha/Shemakhan Tsaritsa (The Golden Cockerel), Violetta (Verdi's La traviata) and Rosina (Il Barbiere di Siviglia).
She had taken part in the Bolshoi Opera tours in Italy (La Scala), Germany, Great Britain, France, Finland, the United States and Japan.
At the 1988 Making Music Together festival in Boston (organised by Sarah Caldwell), Zhurina premiered Boris Tchaikovsky's Four Poems by Josef Brodsky for soprano and piano, and the following year gave their first performance in the Soviet Union.
The first record called Judith (Serov), which was recorded in 1991, included Andrey Chistyakov (conductor), Bolshoi Theatre Orchestra, Russian Academic Choir of the USSR, Irina Udalova (Judith), YElena Zaremba (Avra), Mikhayil Krutikov (Holofernes), Nikolay Vasilyev (Bagoas), Anatoly Babïkhin (Ozias), Vladimir Kudryachov (Achior), Stanislav Suleimanov (Asfaneses), Pyotr Gluboky (Eliachim), Maksim Mikhaylov (Charmis), Irina Zhurina, Marina Shutova (Odalisques) and Lev Kuznetsov (Hindu Song).
Rimsky-Korsakov (Kashchey the Deathless), which was also recorded in 1991, included Andrey Chistyakov (conductor), Bolshoi Theatre Orchestra, Yurlov Academic Choir, Aleksandr Arkhipov (Kastchey), Irina Zhurina (Tsarevna), Nina Terentyeva (Kashcheyevna), Vladislav Verestnikov (Ivan Korolevich) and Vladimir Matorin (Storm-Bogatïr).