Isabella Edenshaw

[3][4] Charles inherited a traditional plank house from his uncle and built a Victorian style home located in Masset.

Together they had eleven children; Robert, Emily, George, Agnes, Florence, Nora, Alice, and four others that died in infancy.

At the end of February, they travelled to Kung (the site of an old village in Naden Harbour) where they would camp for a month to collect and dry halibut.

The distinctive qualities of her art have been recorded as such: "Seen in the appearance of the "mamastiki" [concentric diamonds] motif in conjunction with four-ply twining (especially S-twining) at the perimeter of the top, the absence of special demarcation at the lower perimeter of the crown, and the use of four-strand braid...as brim finish when, and this is essential, the construction of the top, crown, and brim of the hat is in accord with the standard Haida formula (Laforet 1990: 295).

Of the hats attributed to Isabella and Charles, 10 are decorated with frogs, 9 with ravens, 4 with sharks, 3 with whales, 1 with a beaver, 1 with a hawk, 1 with a sculpin, 1 with a long-beaked bird, 1 with a sea lion.

[4] During Isabella's annual travels to mainland British Columbia, she would sell her baskets and hats at George Cunningham's store in Port Essington.

In 1902, Charles F. Newcombe purchased a spruce root cradle-liner painted with a dogfish design and several baskets from Isabella.

Haida Hat, 1895, Isabella Edenshaw, spruce root and paint, Canadian Museum of Civilization.
Lidded Basket, 1905, Isabella Edenshaw, spruce root and paint