The Tales of Ise

The late-eleventh century[2] work known as The Tale of Sagoromo refers to Ise by the variant name Zaigo Chūjō no Nikki (在五中将の日記, "Narihira's diary").

The narrative makes little attempt to link the sections, but introduces or provides a scene for the composition of the poem.

At least four theories for the title of the work have been proposed by commentators from the Kamakura period onwards: the work was written by Lady Ise and named after her; the title followed from section 69, as the central character visits the Priestess at Ise Grand Shrine; in the Nihon Shoki, the character for I reads as woman, and Se reads as man, leading to the text embodying the theme of union; the author deliberately distorted events, places, people, and times, embodying the phrase Ise ya Hyuga or 'topsy-turvy'.

A highlight can be shown from the interlude in section 9, as the central character rests beside the yatsuhashi or eight bridges in the famous iris marshes of Mikawa province.

The poem he composes combines these themes: the sense of loss at leaving the capital, viewed as the only place of society and culture; longing for lost loves; and the beauty of the natural environment.

Double-page from the manuscript of The Tales of Ise . Japan, late 16th century. Chester Beatty Library
Painting by Sumiyoshi Jokei illustrating episode 9 of the Tales of Ise , British Museum